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Good my Lord, will you see the players well bestowed?

Hamlet Act II Scene ii

Set up after a fifty year campaign, London’s Theatre Museum holds one of the world’s finest collections of material on the performing arts. It is administered as a department of the Victoria and Albert Museum, which for reasons of economy wanted to close it as an independent attraction and to relocate it to a few of its own galleries.

London’s Theatre Museum - Something Worth Saving

 

The Guardians Team

Messages of Support

Derek Jacobi

My support for the Theatre Museum is unqualified. The Museum is the ONLY resource the general public has to consider the ‘backstages’ that have made British theatre such a vibrant force over the generations. Its loss will be equivalent to losing any one of our prized heritages.

Jatinder Verma

Harry Landis, President, Equity

Since opening its doors in 1987, the Theatre Museum has welcomed thousands of visitors each year. It would be a great tragedy if future generations were not given the opportunity to take such inspiration from our extraordinary theatrical past.

Don Foster, Liberal Democrat Culture, Media and Sport Spokesperson

Michael Kilgarriff, Hon Secretary, The Irving Society

Rest assured you have our support in trying to stop the ridiculous closure of this hugely important resource for the theatre community as well as the public.<

Rick Fisher, Chairman, Association of Lighting Designers

Peter Luff MP

Theatre in London is world-class and renowned around the globe. The presence of the Theatre Museum in the heart of Covent Garden provides a great opportunity to promote access and understanding about the history and heritage of theatre as well as promoting the understanding and enjoyment of theatre for many thousands of Londoners, tourists, school students and young people.

I would like to see the Theatre Museum remain open on its current site and believe that through working in partnership with other organisations and cultural institutions its programme and collections can be expanded and enhanced for the future.

Ken Livingstone, Mayor of London

Yvonne Brewster, OBE

of course the Theatre Museum must remain in Russell Street and I’m more than happy to add my name to the list of its Guardians. It is a vital institution for all of us, and not only for members of the theatre profession, but also for the theatre-going public.

I strongly support any initiative or movement to keep it alive and will ardently join the ranks of those who urge its continuation and the furtherance of its existence.

Paul Scofield, CH, CBE

Sir Peter Hall

The Dancing Times, and 16 distinguished signatories (Jack Anderson, co-editor of Dance Chronicle; Knud Arne Jorgensen, Head of Drama collections, Royal Library, Copenhagen; Martin Butlin, CBE, FBA; Clement Crisp, OBE, dance critic of Financial Times; Mike Dixon, President, Critics Circle; George Dorris, co-editor of Dance Chronicle; Wayne Eagling, artistic director, English National Ballet; Ivor Guest, D Univ MA FRAD; Bob Lockyer; Lady MacMillan; Erik Naslund, director, Dansmuseet, Stockholm; Richard Ralph, editor, Dance Research; Luke Rittner, Chief Executive officer, Royal Academy of Dance; Nancy Reynolds, George Balanchibe Foundation; Kathrine Sorley Walker, dance historian and critic; and David Vaughan, archivist, Cunningham Dance Foundation) to a letter published in the edition of April 2006, have deplored the closure of the Theatre Museum. It plays a vital role in celebrating all aspects of our thetre history and is an unrivalled source of research for the profession. The Dancing Times would like to add our support to the Guardians of the Theatre Museum.

The Dancing Times

The Unicorn Theatre believes passionately in the Theatre Museum. In building our own new theatre, we have worked closely with the Museum over the past few years. The work of key children\'s companies like theatre-rites has been given prominence by the Museum. So the Museum exists as a living force in addition to its role as a focus, archive and source for our history. Other cultures seem to take this so much more seriously than we do.
Closure would be an act of cultural vandalism.

Tony Graham, Director, Unicorn Theatre

The National Campaign for the Arts (NCA) believes that the collection held by the V&A and displayed in part at the Theatre Museum is of public value and should therefore be accessible for enjoyment, education and inspiration.
The NCA is dismayed that the museum is due to close before an alternative means of displaying the collection has been found. In response to the V&A’s consultation earlier this year, the NCA spoke in favour of retaining the Covent Garden location because of its situation in Theatreland and in order to maintain its thriving education programme. The NCA supported plans for touring and a digital strategy but stated that these should be additional to the permanently displayed collection. The NCA hopes that funding can be found to maintain and improve the collection and its display.
The NCA believes that the arts present a stronger case when they are united and urges the museum and theatre sectors to work together to their mutual benefit and speak with a united voice to Government and funding bodies.

Gillian Diamond

The history of British theatre is the richest in the world and must be preserved at all costs. The loss of the wealth of information and memorabilia available to both scholar and lover of the theatre would be incalculable. If this was the U.S.A. all these riches would be valued and preserved. Why are we so intent on destroying our heritage?

John Savident

Tracy C. Davis, President, American Society for Theatre Research

 

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